Author: George Robinson

[the_ad_placement id=”top-content-300×250″] You know the feeling when you listen to a well-produced electronic track: Everything about it seems to burst with energy, each of the elements twist and wrap organically around each another, giving the impression that the whole track is one big living and evolving ‘thing’. But when you’re getting into producing electronic – that is, loop or grid-based music – it can be really difficult figuring out how to inject your own tracks with this sort of excitement and life-like energy. It seems on the surface like it’s just a matter of flicking from one repeated/looped section to…

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